{"id":2165,"date":"2020-01-01T17:40:00","date_gmt":"2020-01-01T17:40:00","guid":{"rendered":"https:\/\/chapito.org\/companhiadeteatro\/?p=2165"},"modified":"2026-04-04T23:02:42","modified_gmt":"2026-04-04T23:02:42","slug":"napoleao","status":"publish","type":"post","link":"https:\/\/chapito.org\/companhiadeteatro\/2020\/01\/01\/napoleao\/","title":{"rendered":"NAPOLE\u00c3O &#8211; ou o complexo de \u00e9pico"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\">2020<\/h2>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"&quot;Napole\u00e3o ou O Complexo de \u00c9pico&quot;\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/IZaiD0G6KfA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2203\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/10-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2203\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/10-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/10-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/10-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/10-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/10-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2195\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/24-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2195\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/24-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/24-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/24-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/24-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/24-1-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2211\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/23-1024x683.jpg\" alt=\"\" class=\"wp-image-2211\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/23-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/23-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/23-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/23-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/23-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2199\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/22-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2199\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/22-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/22-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/22-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/22-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/22-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2204\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/21-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2204\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/21-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/21-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/21-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/21-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/21-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2210\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/19-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2210\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/19-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/19-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/19-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/19-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/19-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2193\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/17-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2193\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/17-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/17-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/17-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/17-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/17-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2201\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/16-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2201\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/16-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/16-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/16-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/16-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/16-1-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"2206\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/12-1-1024x684.jpg\" alt=\"\" class=\"wp-image-2206\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/12-1-1024x684.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/12-1-300x201.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/12-1-768x513.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/12-1-1536x1027.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/12-1-2048x1369.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2198\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/11-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2198\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/11-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/11-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/11-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/11-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/11-1-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2205\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/9-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2205\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/9-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/9-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/9-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/9-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/9-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2208\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/4-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2208\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/4-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/4-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/4-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/4-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/4-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2194\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/1-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2194\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/1-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/1-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/1-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/1-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/1-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2197\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/20-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2197\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/20-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/20-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/20-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/20-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/20-1-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2209\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/18-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2209\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/18-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/18-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/18-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/18-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/18-1-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2207\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/15-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2207\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/15-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/15-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/15-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/15-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/15-1-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2202\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/14-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2202\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/14-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/14-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/14-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/14-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/14-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2200\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/5a-1024x683.jpg\" alt=\"\" class=\"wp-image-2200\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/5a-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/5a-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/5a-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/5a-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/5a-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2196\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/3-1024x683.jpg\" alt=\"\" class=\"wp-image-2196\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/3-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/3-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/3-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/3-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/3-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"2192\" src=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/8-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2192\" srcset=\"https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/8-1-1024x683.jpg 1024w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/8-1-300x200.jpg 300w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/8-1-768x512.jpg 768w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/8-1-1536x1024.jpg 1536w, https:\/\/chapito.org\/companhiadeteatro\/wp-content\/uploads\/2020\/01\/8-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Na procura de entender o homem que foi Napole\u00e3o e o fen\u00f3meno em torno de si criado, debatemo-nos entre o fasc\u00ednio e o rep\u00fadio. Lan\u00e7a-nos quest\u00f5es pol\u00edticas e sociais, que mant\u00eam a sua actualidade e pertin\u00eancia. A sua ambi\u00e7\u00e3o pessoal, aud\u00e1cia e determina\u00e7\u00e3o levaram-no longe, expandindo territ\u00f3rios, apropriando-se dos ideais da Revolu\u00e7\u00e3o Francesa. Mais tarde, reaproxima-se de valores aristocr\u00e1ticos que antes repudiara, centraliza em si o poder e auto proclama- se Imperador. A sua for\u00e7a de vontade era \u00fanica. A sua queda foi proporcional \u00e0 sua ascens\u00e3o. Uma vida romanesca, que re\u00fane todos os ingredientes para uma boa hist\u00f3ria. Muito \u00e9 e continuar\u00e1 a ser dito sobre Napole\u00e3o Bonaparte, caber\u00e1 ao p\u00fablico julgar ou celebrar a figura hist\u00f3rica, o homem que foi Napole\u00e3o. A n\u00f3s cabe-nos a tarefa de contar, procurando com humor e poesia, os reversos da hist\u00f3ria. Porque todas as moedas t\u00eam duas faces: cara ou coroa. Cria\u00e7\u00e3o Colectiva da Companhia do Chapit\u00f4<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cDesta feita n\u00e3o \u00e9 um \u201ccl\u00e1ssico\u201d, como o eram Electra ou Hamlet, a chegar \u00e0 Tenda do Chapit\u00f4. \u00c0quele que \u00e9 o palco de excel\u00eancia para os mais hilariantes acometimentos no c\u00e2none dramat\u00fargico ocidental, certamente levados a cabo pela companhia mais imprevis\u00edvel do teatro lusitano, chegam as atribula\u00e7\u00f5es de \u201cuma vida romanesca que re\u00fane todos os ingredientes para uma boa hist\u00f3ria\u201d. T\u00e3o amado quanto odiado, o grande protagonista deste \u201c\u00e9pico\u201d (n\u00e3o se nega padecer de tal \u201ccomplexo\u201d!) teatral \u00e9 Napole\u00e3o Bonaparte, ativista pol\u00edtico e militar durante a Revolu\u00e7\u00e3o Francesa e, de 1804 a 1814, magn\u00e2nimo imperador dos franceses, fossem eles gauleses de plena geografia ou meros subjugados no rolo compressor da m\u00e1quina militar engendrada pelo pequeno grande l\u00edder dos ex\u00e9rcitos revolucion\u00e1rios. Vasculhando nos versos e reversos da hist\u00f3ria, a Companhia do Chapit\u00f4 oferece uma vis\u00e3o hilariante e bem disposta, mas tamb\u00e9m reflexiva e po\u00e9tica, sobre essa \u201cfigura carism\u00e1tica e controversa\u201d que nos coloca \u201cquest\u00f5es pol\u00edticas e sociais t\u00e3o pertinentes hoje como h\u00e1 mais de dois s\u00e9culos.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>i<\/em><em>n<\/em>&nbsp;<em>Agenda Cultural de Lisboa<\/em><\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Melhor Espect\u00e1culo<\/strong> na&nbsp;XLIII Mostra de Teatro Galego de Cari\u00f1o, Espanha &#8211; 2021<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cria\u00e7\u00e3o Colectiva<\/strong><br><strong>Encena\u00e7\u00e3o:<\/strong>&nbsp;Cl\u00e1udia N\u00f3voa e Jos\u00e9 C. Garcia<br><strong>Dramaturgia:<\/strong>&nbsp;Ram\u00f3n de Los Santos<br><strong>Interpreta\u00e7\u00e3o:<\/strong>&nbsp;Jorge Cruz, Susana Nunes e Tiago Viegas<br><strong>Direc\u00e7\u00e3o de Produ\u00e7\u00e3o:<\/strong>T\u00e2nia Melo Rodrigues<br><strong>Sonoplastia:<\/strong>&nbsp;S\u00edlvio Rosado<br><strong>Figurinos:<\/strong>&nbsp;Cl\u00e1udia N\u00f3voa e Gl\u00f3ria Mendes<br><strong>Desenho de Luz:<\/strong>&nbsp;Jos\u00e9 C. Garcia e Saturnino Rodrigues<br><strong>Design Gr\u00e1fico:<\/strong>&nbsp;S\u00edlvio Rosado<br><strong>Fotografias de Cena:<\/strong>&nbsp;Frank Saalfeld<br><strong>Divulga\u00e7\u00e3o:<\/strong>&nbsp;Cristina Carvalho<br><strong>Motion Design:<\/strong>&nbsp;Sofia Serrazina<br><strong>Video Spot:<\/strong>&nbsp;Joana Domingues e Bruno Gascon<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Cr\u00edticas<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>&#8220;Esa est\u00e9tica aparentemente pobre, poblada por objetos comunes y de poco valor econ\u00f3mico, se convierte en una fuente inagotable de est\u00edmulos para nuestra imaginaci\u00f3n. Y esto sucede gracias al ingenio de la actuaci\u00f3n, a la sutileza en los detalles que salpimientan las escenas, recreadas(&#8230;)&#8221;<\/em><strong> &#8211; AFONSO BECERRA<\/strong><em> in <\/em><strong>Artezblai<\/strong><\/li>\n\n\n\n<li><em>&#8220;&#8230;um descaramento consciente e elaborado e, no caso, particularmente talentoso&#8230;&#8221;&#8221; &#8230;Cl\u00e1udia N\u00f3voa e Jos\u00e9 Carlos Garcia, com imagina\u00e7\u00e3o, seguran\u00e7a, habilidade e sentido de risco dirigem os brilhantes Jorge Cruz, Susana Nunes e Tiago Viegas nesta corrida num carrossel de mal\u00edcia, expelindo conven\u00e7\u00f5es borda fora e resistindo a tenta\u00e7\u00f5es facilitistas, assim criando uma com\u00e9dia visual sofisticada e recheada por abundante e saborosa revis\u00e3o e saud\u00e1vel subvers\u00e3o do mito.&#8221; &#8211; <\/em><strong>RUI MONTEIRO<\/strong><em> in <\/em><strong>P\u00fablico<\/strong><\/li>\n\n\n\n<li><em>&#8220;uma par\u00f3dia que surge a um s\u00f3 tempo s\u00e9ria e delirante.&#8221;<br>&#8220;dinamismo s\u00e1bio desta representa\u00e7\u00e3o l\u00fadica&#8221;<br>&#8220;par\u00f3dia sofisticada&#8221;<br>\u201cPerformatividade magistral de atores experimentados e habilitados nas artes de improvisa\u00e7\u00e3o e de representa\u00e7\u00e3o..\u201d \u201cVivacidade Indom\u00e1vel\u201d\u201c..tamb\u00e9m a sonoplastia, o fumo, os efeitos de luz\u00a0 o extremo cuidado na execu\u00e7\u00e3o da exigente e vertiginosa coreografia do\u00a0 espet\u00e1culo comp\u00f5em uma epopeia de ousadia art\u00edstica de divertimento..\u201d<\/em><strong> &#8211; Helena Sim\u00f5es<\/strong><em> in <\/em><strong>Jornal de Letras<\/strong><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>2020 Na procura de entender o homem que foi Napole\u00e3o e o fen\u00f3meno em torno de si criado, debatemo-nos entre o fasc\u00ednio e o rep\u00fadio. Lan\u00e7a-nos quest\u00f5es pol\u00edticas e sociais, que mant\u00eam a sua actualidade e pertin\u00eancia. A sua ambi\u00e7\u00e3o pessoal, aud\u00e1cia e determina\u00e7\u00e3o levaram-no longe, expandindo territ\u00f3rios, apropriando-se dos ideais da Revolu\u00e7\u00e3o Francesa. Mais tarde, reaproxima-se de valores aristocr\u00e1ticos que antes repudiara, centraliza em si o poder e auto proclama- se Imperador. A sua for\u00e7a de vontade era \u00fanica. A sua queda foi proporcional \u00e0 sua ascens\u00e3o. Uma vida romanesca, que re\u00fane todos os ingredientes para uma boa hist\u00f3ria. Muito \u00e9 e continuar\u00e1 a ser dito sobre Napole\u00e3o Bonaparte, caber\u00e1 ao p\u00fablico julgar ou celebrar a figura hist\u00f3rica, o homem que foi Napole\u00e3o. A n\u00f3s cabe-nos a tarefa de contar, procurando com humor e poesia, os reversos da hist\u00f3ria. Porque todas as moedas t\u00eam duas faces: cara ou coroa. Cria\u00e7\u00e3o Colectiva da Companhia do Chapit\u00f4 \u201cDesta feita n\u00e3o \u00e9 um \u201ccl\u00e1ssico\u201d, como o eram Electra ou Hamlet, a chegar \u00e0 Tenda do Chapit\u00f4. \u00c0quele que \u00e9 o palco de excel\u00eancia para os mais hilariantes acometimentos no c\u00e2none dramat\u00fargico ocidental, certamente levados a cabo pela companhia mais imprevis\u00edvel do teatro lusitano, chegam as atribula\u00e7\u00f5es de \u201cuma vida romanesca que re\u00fane todos os ingredientes para uma boa hist\u00f3ria\u201d. T\u00e3o amado quanto odiado, o grande protagonista deste \u201c\u00e9pico\u201d (n\u00e3o se nega padecer de tal \u201ccomplexo\u201d!) teatral \u00e9 Napole\u00e3o Bonaparte, ativista pol\u00edtico e militar durante a Revolu\u00e7\u00e3o Francesa e, de 1804 a 1814, magn\u00e2nimo imperador dos franceses, fossem eles gauleses de plena geografia ou meros subjugados no rolo compressor da m\u00e1quina militar engendrada pelo pequeno grande l\u00edder dos ex\u00e9rcitos revolucion\u00e1rios. Vasculhando nos versos e reversos da hist\u00f3ria, a Companhia do Chapit\u00f4 oferece uma vis\u00e3o hilariante e bem disposta, mas tamb\u00e9m reflexiva e po\u00e9tica, sobre essa \u201cfigura carism\u00e1tica e controversa\u201d que nos coloca \u201cquest\u00f5es pol\u00edticas e sociais t\u00e3o pertinentes hoje como h\u00e1 mais de dois s\u00e9culos.\u201d in&nbsp;Agenda Cultural de Lisboa Cria\u00e7\u00e3o ColectivaEncena\u00e7\u00e3o:&nbsp;Cl\u00e1udia N\u00f3voa e Jos\u00e9 C. GarciaDramaturgia:&nbsp;Ram\u00f3n de Los SantosInterpreta\u00e7\u00e3o:&nbsp;Jorge Cruz, Susana Nunes e Tiago ViegasDirec\u00e7\u00e3o de Produ\u00e7\u00e3o:T\u00e2nia Melo RodriguesSonoplastia:&nbsp;S\u00edlvio RosadoFigurinos:&nbsp;Cl\u00e1udia N\u00f3voa e Gl\u00f3ria MendesDesenho de Luz:&nbsp;Jos\u00e9 C. Garcia e Saturnino RodriguesDesign Gr\u00e1fico:&nbsp;S\u00edlvio RosadoFotografias de Cena:&nbsp;Frank SaalfeldDivulga\u00e7\u00e3o:&nbsp;Cristina CarvalhoMotion Design:&nbsp;Sofia SerrazinaVideo Spot:&nbsp;Joana Domingues e Bruno Gascon Cr\u00edticas<\/p>\n","protected":false},"author":2,"featured_media":2166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-2165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertorio"],"acf":[],"_links":{"self":[{"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/posts\/2165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/comments?post=2165"}],"version-history":[{"count":6,"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/posts\/2165\/revisions"}],"predecessor-version":[{"id":2939,"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/posts\/2165\/revisions\/2939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/media\/2166"}],"wp:attachment":[{"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/media?parent=2165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/categories?post=2165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chapito.org\/companhiadeteatro\/wp-json\/wp\/v2\/tags?post=2165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}